Archive for Canon

For sale: Canon 400mm f2.8 lens…

Posted in Equipment, Photography, Wildlife Photography with tags , , , , , , , , , , , , , on November 12, 2013 by Neil Aldridge

My Canon 400mm f2.8 lens has travelled with me throughout Africa, Europe and North America, in the process securing me award-winning photographs. Unfortunately, it’s now time to part company and so I’m looking for a new home for this super-sharp lens. See more details here…

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This is a fast lens for wildlife and sport photography. Its wide aperture frees up the camera to shoot to its highest potential. That same light gathering capability is also great for low-light photography.

The glass elements are in excellent condition and the lens has been kept in a camouflage neoprene coat since I bought it so the body has few signs of wear. If you’re interested, visit the sales page here…

Tell better stories…

Posted in Conservation Photography, European Wildlife, Exhibition, Photography, UK Wildlife, Wildlife, Wildlife Photography with tags , , , , , , , , , , , , , , , , , on August 8, 2012 by Neil Aldridge

Join me on the Canon stand at the British Birdfair for seminars on telling wildlife stories with your camera. Every day from Friday the 17th to Sunday the 19th of August I will be talking through the shots I have to get and the decisions I have to make to tell award-winning stories and keep my editors happy. Download the seminar schedule here

As a Canon photographer, I will be showing just why my equipment choice allows me to work on books and magazine features while thinking about my online audience at the same time. During the seminars I will be trying to convince you to photograph more than just pretty wildlife portraits.

Having just returned from promoting my new African wild dog book Underdogs and picking up an award in the International Conservation Photography Awards in the United States, I will be revealing the importance of being able to photograph wildlife, landscapes and people to pulling together a project that matters. You will also have the chance to ask me your questions on equipment, the industry and how I captured the work that I will be showing you.

This year’s Birdfair will also see me delivering a lecture on the Limpopo Valley on Sunday the 19th in marquee 2 and spending time on the Estonia Nature Tours stand to talk about my upcoming 2013 photo tour in partnership with leading Estonian photographer Remo Savisaar. See the tour itinerary here.

Remember that a signed copy of Underdogs is also available in the Birdfair auction. See you there…

Botswana…dream-maker, equipment-breaker (Part One)…

Posted in African Wildlife, Photography, Travel, Wildlife, Wildlife Photography with tags , , , , , , , , , , , , , , on May 8, 2012 by Neil Aldridge

As the old adage suggests…if you can see the white of the eyes then you’re pretty close. This is even true in the case of elephants. For the most part, an elephant’s eyes seem tiny compared to their colossal grey bulk and are lost somewhere amongst cavernous wrinkles and behind a curtain of wiry eyelashes. It was this white of an elephant’s eye that I was seeing through my viewfinder. That’s how close we were after spending several frustrating days searching for that shot which captures the essence of northern Botswana more than any other – thirsty elephants reveling in water.

Northern Botswana is not only one of the world’s premier wildlife-watching locations, it also  happens to be my favourite destination for photography and wildlife. As a result, being on the Selinda Reserve to the east of the Okavango Delta with the inspirational Great Plains Conservation and Botswana Tourism as my hosts, I was in my element. Our guide Reuben was making my job a lot easier too. Always thinking one step ahead by considering the light and lay of the land, he instinctively placed the vehicle in the right place each time without me needing to ask. Our only problem was that the resident elephants were being unusually skittish and seemed to be thinking even one step ahead of Reuben. Finally, after combing the reserve by boat and truck, we chanced across a relaxed herd approaching the water.

I lifted my chunky 400mm f2.8 lens and rested my beanbag between it and the side of the vehicle to give me a steady platform. All lined up while quenching their thirsts, the herd of pachyderms was performing wonderfully. Just as I pressed the shutter to fire off the first frames though, my camera all of a sudden became strangely light in my hands and the view through the viewfinder became nothing but a white blur. My five kilogram lens had inexplicably unclipped itself from the teleconverter and tumbled the best part of two metres off the side of the vehicle. After some initial muted cursing and a scrambled recovery of my most prized piece of gear from the sand below, I was able to come up with one positive from this embarrassing blunder – at least we weren’t shooting from a boat as we had been doing the previous evening. It turns out that an accumulation of Kalahari dust had made the clip holding the teleconverter to the lens stick and fail.

Painful lesson number one learned…keep your gear as clean as possible or you’ll spend several lonely hours picking sand out of every corner, crack and connection while everyone else is having a good time! I guess at this stage I can also pay homage to the build quality of Canon equipment if a lens can just be picked up and dusted off after such a sickening tumble to the sand below.

Lesson number two was as potentially disastrous but more a result of my own over-confidence. Check back soon for how not to waterproof a camera…

Visit my main website at www.conservationphotojournalism.com